Pegs for Legs
“Our father would never tell us what it was he feared, but he had a most marked aversion to men with wooden legs.”
-
Post reblogged from ricep0d bits
It should happen in 7 years (2019, when Blade Runner is set). It should be either a dual screen projection or split screen. And it should be the original film placed side by side with roaming webcams of the world.
-
Quote reblogged from Pretty VisitorsSlow pan over a 3D rendered Times Square, cue Kanye West song.F. Scott Fitzgerald
(Source: ryanhatesthis)
-
- The Judge: By the way, that's a shame about your face.
- Hatchet-Face: There's nothing the matter with my face. I got character!
-
Some call me director, producer, filmmaker. I prefer to call myself pube-king.John Waters
-
John Waters rocks my world. Anyone who writes a character called ‘Hatchet-face’ is ok by me (Taken with instagram)
-
Photo reblogged from ส้มตำ//somtum
The Quick Brown Fox Jumps Over the Lazy Dog.
I feel like I’ve been preparing for this image all my life.
The internet is over, everyone can go home
The internet is over, everyone can go home
THE INTERNET IS OVER, EVERYONE CAN GO HOME
(Source: theamericankid)
-
If I ever have the money to have someone soundtrack my life it’d be Cliff Martinez.
-
Photoset reblogged from ricep0d bits
Holy Beautiful Styling Batman! Now if only Banana Republic took a cue from this in their “Mad Men” collection and campaign, I might’ve actually bought something.
Vogue US March 2012. I love Grace Coddington’s feminine stylings, that retro hair, and those Mad Men-esque painted backgrounds. Every detail is perfect, right down to the shoes (and that little iPod nano — the only indication that this editorial was from a modern-day shoot).
-
Photo reblogged from Slobber Drool Drip
ad for MONSTROSITY aka the ATOMIC BRAIN (1964)
…in which a mad doctor switches the brain of a woman with a…cat. Yup. -
Photo reblogged from Old Hollywood
![oldhollywood:
Sissy Spacek & Martin Sheen on the set of Badlands (1973, dir. Terrence Malick)
Sheen: “One night I got a call saying that [Malick] decided to use me and would I be willing to do it. And I said, ‘Why sure, I’d be happy as Larry’. [The next morning], I was driving along Pacific Coast Highway and I was listening to a Dylan song called Desolation Row..and suddenly it dawned on me what had just happened - that I had the role of my life. And I began to weep uncontrollably with joy and I had to pull off the side of the road and just stop and reflect on what was happening. And it was one of the most profound moments of my life because it was the realization of a dream that I never thought would happen to me.”
Spacek:”It was a very passionate kind of working experience. No one was making any money and everyone was there because we were desperate to work on the film…It was probably the first film that I felt creatively engaged in. Terry would ask me questions about the character. I felt like I wasn’t just an actor for hire…After working with Terry, I was like, ‘The artist rules. Nothing else matters.’ My career would have been very different if I hadn’t had that experience.”
(via)](http://25.media.tumblr.com/tumblr_m43b5yuKl61qzdvhio1_500.jpg)
Sissy Spacek & Martin Sheen on the set of Badlands (1973, dir. Terrence Malick)
Sheen: “One night I got a call saying that [Malick] decided to use me and would I be willing to do it. And I said, ‘Why sure, I’d be happy as Larry’. [The next morning], I was driving along Pacific Coast Highway and I was listening to a Dylan song called Desolation Row..and suddenly it dawned on me what had just happened - that I had the role of my life. And I began to weep uncontrollably with joy and I had to pull off the side of the road and just stop and reflect on what was happening. And it was one of the most profound moments of my life because it was the realization of a dream that I never thought would happen to me.”
Spacek:”It was a very passionate kind of working experience. No one was making any money and everyone was there because we were desperate to work on the film…It was probably the first film that I felt creatively engaged in. Terry would ask me questions about the character. I felt like I wasn’t just an actor for hire…After working with Terry, I was like, ‘The artist rules. Nothing else matters.’ My career would have been very different if I hadn’t had that experience.”
(via)
-
Photo reblogged from Paper Got Back
Sailor and kitten, 1912. Wonderful photo.
via holdthisphoto
![oldhollywood:
Sissy Spacek & Martin Sheen on the set of Badlands (1973, dir. Terrence Malick)
Sheen: “One night I got a call saying that [Malick] decided to use me and would I be willing to do it. And I said, ‘Why sure, I’d be happy as Larry’. [The next morning], I was driving along Pacific Coast Highway and I was listening to a Dylan song called Desolation Row..and suddenly it dawned on me what had just happened - that I had the role of my life. And I began to weep uncontrollably with joy and I had to pull off the side of the road and just stop and reflect on what was happening. And it was one of the most profound moments of my life because it was the realization of a dream that I never thought would happen to me.”
Spacek:”It was a very passionate kind of working experience. No one was making any money and everyone was there because we were desperate to work on the film…It was probably the first film that I felt creatively engaged in. Terry would ask me questions about the character. I felt like I wasn’t just an actor for hire…After working with Terry, I was like, ‘The artist rules. Nothing else matters.’ My career would have been very different if I hadn’t had that experience.”
(via)](http://25.media.tumblr.com/tumblr_m43b5yuKl61qzdvhio1_1280.jpg)
